Right, then lads and lasses. Something a little different for your ears instead of the usual hip-hop. Here is the debut album 'Just Living' by Kevin Mark Trail, a British born singer-songwriter.
KMT is a brilliant soul singer that makes exemplary and modest soul music ideal for any night in. This album garnered HUGE critical acclaim from everyone from The Guardian to being pondered over for a Mercury Music Prize nomination. You may know him, or at least his voice, as he guested on two tracks on The Streets' debut 'Original Pirate Material', most notably he sung the chorus on the single 'Lets Push Things Forward'.
After touring with Mike Skinner he went out alone to push his solo career and this first release is a great introduction to his sound. Plus, he had UK legends Blak Twang (so glad he brought out new material...now if only I had money to buy...) and Rodney P on the remix to his song 'Last Night', so you can't argue with that. Hopefully the man will come out with some more material soon and not get lost in the already massive pile of r'n'b singer that failed to really blow up commercially despite their considerable talent. Sit back, make a hot beverage, wear a cardigan, and relax in front of the fire (or the radiator for the lesser posh) to the sounds of Kevin Mark Trail.
Finally here we go with some more Great British material from our beloved urban scene! Today we have the underground duo of Jiff & Rap6, better known as Paragon.
In 2004 they released their long-awaited, long-anticipated long-player 'The Long Road' to some critical acclaim and not much else. Their videos got a bit of play on the now very poor Channel U when it first arrived on UK digital television and it seemed that they were a group ready to set alight the airwaves (or at least the pirate airwaves) of England. Four years down the line and save for one or two singles they have pretty much disappeared off the face of the earth (to my knowledge anyway), and that is a very sad thing.
In fact, Paragon had been going a HELL of a long time before they got their acclaim and dues for 'The Long Road' - it was actually a decade of hard work for them before they put the album out!
The album is true underground hip-hop in a universal sense as it has that gritty sound, but Jiff & Rap6 are true Brit rhymers through their slang and delivery, and the sound is much more warmer than some underground emcees from the US. By that I mean the production value is at a paramount and always solid throughout.
The big hit from the album was 'The Anthem', and if you were big on UK rap in the early 00s and youu havent heard it then shame on you. They followed that up with the, frankly, exquisite ode to the ladies 'Queen Like No Other' and eventually a year later a remix to 'The Anthem' was released to much fanfare (see video below).
The album features guest spots from such UK stalwarts as Tommy Evans, Cashino & Asaviour and is a very enjoyable listen.
1. Intro 2. 16 Bars Aren't Enough (feat. Finale) 3. The Anthem (feat. Esta) 4. You're Making Me Laugh 5. Queen Like No Other 6. Back Against The Wall (feat. Dil, Toby Thompson & Ms Davies) 7. Give It Up (feat.Dil) 8. You Just Don't Get It 9. Music (feat. DBlack, Cashino & Toby Thompson) 10. Hard To Believe 11. Beef 12. Alright 13. V.I.P. (feat. Toby Thompson) 14. The Heist (feat. Redmaster & C-Lone) 15. You (feat. Sam The Man) 16. UK Hot With It (feat. Asaviour & Tommy Evans)
So, another weekend at Leeds Festival has been and gone and this time I was not disappointed. Of course, its a predominantly rock-based music festival, but there were quite a few urban, hip-hop acts nestled in among the madness.
On the Friday, Lethal Bizzle played the Dance Stage in the afternoon, and he completely shocked me with his live performance. The tent was absolutely packed and the former More Fire Crew member got the whole crowd jumping with a whistle-stop set through his biggest hits such as 'Pow!', 'Fire' and 'Its A Shame'. I would personally like to apologise to Bizzle for including him in the list of grime acts with no talent only a month ago, because this man completely surprised me with his onsatge presence.
It is no wonder that Lethal Bizzle has been embraced by the indie scene as much as his bread-and-butter urban scene (he is fawned over in NME each week), as he has an onstage persona that completely belies his music's made-in-the-garage sound (the sound most grime music has to my ear). Halfway through his set he jumped atop a massive speaker on the side of the stage and started performing his new single 'Bizzle, Bizzle' from up there before getting the crowd to chant his name followed by 'Fuck Download' (*he played Download festival earlier in the summer, which is a staunchly positioned metal festival...needless to say the metal fans did not take kindly to his being there and they bottled him off - completely the organisers fault because an urban artists shouldn't be playing Download in the first place). It was one of the most refreshing and surprising performances of the whole weekend, which is an achievement considering he was only on one of the side stages and he was playing to mostly indie hipsters and metal fans (Metallica were headlining later that day).
A new man when it comes to infiltrating the mainstream consciousness, Natty played a very impressive laidback reggae set on one of the smaller stages to an appreciative crowd. Natty's new album 'Man Like I' has just come out and is an absolute belter so run out and buy it now or I'll cut your balls off.
Dizzee Rascal continued to excel live when he played the main stage on Saturday afternoon. The crowd he gathered at about 2pm was phenomenal, with everyone singing hits such as 'Fix Up, Look Sharp', 'I Luv U', 'Stand Up Tall' and the questionable newer song 'Dance Wiv Me' in unison. He was joined onstage by 1Xtra man DJ Semtex (who was much fatter than I remember!) and some hype men.
Space Age funksters Chromeo delivered a great set to a small crowd on the Dance stage late on Friday evening, further cementing themselves as one of the best funk acts around in the world of modern music. The great thing about their set is that despite the crowd being small, everyone their knew the songs inside out, and the use of hip-hop tinged vocoders and keyboard trickery gave them a much more urban feel, allowing the crowd to really get involved with the songs (hip-hop tracks are MADE for live performances).
Wiley played much later on the Alternative stage on Friday and apparently delivered quite a good performace (I was on the main stage awaiting Metallica, yeah, I'm a metalhead too) but obviously most fans were indie kids and came to see the dance (see: not hip-hop) track 'Wearing My Rolex'. Wiley is a very creative and interesting rapper but its disappinting that the only way a man like him can breakthrough to the mainstream is if he changes his sound so much that its almost unrecognisable.
Even with all of this, the best 'urban' (I'll explain) act there was by far Rage Against The Machine. 'RATM, hip hop?', I hear you ask. Well, maybe not in sound alone, as they are widely regarded as one of the best metal acts of our generation, but frontman Zack de la Rocha is arguably one of the best lyricists and emcees of all time. The man oozes charisma, and people were passing out as he took the stage to perform 'Testify'. de la Rocha raps like he was a hip-hop legend, and one of his verses has more substance than most emcees have spit in their entire careers. Anyone who is a hip-hop fan but has never listened to RATM because they are seen as metal, I URGE you to pick up one of their albums and listen to them. You will not be disappointed.
Sorry about letting this website slide, there are a few reasons why which will bore you to death so I won't mention them. I'm not going to lie, posts will be a bit further apart for the next few months than they used to be, but I'll make sure updates DO come.
I've always been staunchly against Grime as a sub-genre ever since its explosion on the UK urban scene a couple of years ago. It is, in a way, a twisted younger brother of the garage scene that came to have great success at the turn of the century. Grime has now not only took over the UK urban scene, but it seems to have ushered in 'bassline' music to share their wider audience.
Now... I wouldn't have an issue with Grime at all usually, as there are one or two other genres I don't fancy much that I don't feel the need to 'hate' on as whole (yes, this is a 'hater' article, I'm a blogger, ranting is what I do). The reason the genre is such a thorn in my earhole is because it claims to be hip-hop. Cross-over artists such as Dizzee Rascal & Sway came from the early grime scene to make a name for themselves, and their music is palatable to my ears because they are talented emcees that embraced the hip-hop culture within their sound. Dizzee Rascal, more notably, featured UGK on his last album, and has even managed to break America (apparently, I'm sure one or two US readers can shed light on that).
The reason Sway & Dizzee have made a name for themsleves from the Grime scene is because they have lyrical skills in abundance. Grime really gets on my wick because it is chock-full of untalented artists who have no right to call themselves such because all they do is talk slang and make gunshot sounds over sloppy frantic beats. Artists such as Bashy or Tinchy Strider are now getting ridiculous exposure, yet their music is nothing more than our very own version of the Souljah Boy type rap that is coming to the forefront in the US.
This is my first post in about a month now, due to me moving house and being without the internet. In this month the biggest UK urban release has been the soundtrack to 'Adulthood', a film basically about a bunch of illiterate ASBO kids in London that I really would not want to meet because their version of English is a mixture of txt spk and weed talk. There you go, who needs Jonathan Ross when I can be both informative and stereotypical about inner-city youts in one sentence.
This first post is here for a reason. I need to make a distinction between UK hip-hop and Grime. The line seems to have blurred in the last year and it worries me. New scenes bubble up to the surface all of the time and its healthy for music as a whole, but this site is 100% UK hip-hop. Grime is nothing more than a educationally-sparse teenager's hobby. Job done.
Proper posts coming soon. Transitions are occurring at the moment but hopefully we can get this site up and running ASAP. For now, support hip-hop. Throw away anything that has the words 'Oh My Days', 'Seeeeeeen' or 'Brrrrrrat!' on it.
Please voice your opinions on whether you think Grime has had a good or bad effect on UK hip-hop since its arrival on the scene in the comments section. I'd be very interested to see if I'm by myself in my thoughts on the music as it seems a lot of people have embraced it with open arms.
The first few months of 2008 didn't really spark much interest in me in terms of new releases, but things seem to have picked up of late with some real corkers coming out in the past few weeks or months.
Firts off, I HAVE to give a very special mention to 'When Life Gives You Lemons, You Paint That Shit Gold' by Atmosphere. I'm always been a little bit of a fan of Atmosphere and Slug especially, but their albums have rarely impressed me too much as a whole piece of work. However, I am going out on a limb and saying that their new album is not only their best album to date but it's also my favourite album of 2008 so far.
A few factors contribute towards this album rating so highly. The first is that this albm is the definition of slow-burner. The first listen brought up one or two favourites and a few duff songs, but on second and third listen I started to love every single song and now the album rarely gets listened to if not in one entire go.
Songs such as 'Dreamer', 'Glasshouse' and 'In Her Music Box' are true lyrical achievements, with Slug painting a picture of realism and the way people think and live perfectly. In fact, one of the brilliant things about the entire album is that every song and line is beautifully observed and will strike a chord with someone.
Ant's beats never outshine Slug, but that is a very good thing in this case, as each song is solid and leans towards the content rather than rhythm, which is something hip-hop has lost in recent years in my opinion due to increasing impatience in listeners and an eye towards the 'fast buck' from the artist. Its a truly great album, but one that needs to be fully absorbed.
Another great spect is the fact that album's design is brilliant. My copy came in a CD 'book form with the CD slipped inside a 'page', along with a 36 page lyric book and 'children's stroy which ran alongside the themes of the album. It also had a bonus DVD with live performances and such on it. If more artists and groups took so much time and put as much effort into their album's aesthetic qualities as Atmosphere have, I'm sure retail sales of albums would increase ten fold.
Another album to look out for is 'Spektrum' by Million Dan, formerly of the classic group Demon Boyz. Its been a long time since a full release from him, but it has came along at just the right time, as the shift from UK's urban out put has shifted to grime and the market has been saturated with it. My hatred of 99% of grime can be covered on another day, however.
Million Dan has collected a lot of his singles such as 'Dogs N Sledges' & 'Spektrum Ride' and added them to some new tracks to create one of the most versatile and interesting sets to come from the UK this year. The guy deserves all of the plaudits and I fully recommend you at least check this guy out. In fact, I must remember to upload his Infra-Red mixtape from last year as a taster later on in the week.
Two years since the release of 'The Borrowed Ladder', Huddersfield's Asaviour is back with his second full length album entitled ''The A-Loop Theory', this time alongside DJ IQ, who he has released some mixtapes with. Here's hoping he builds on the momentum gained from Savior Faire and The Borrowed Ladder and become the leading light in British Rap that we all know he can be.
Another album I'm really looking forward to is 'It'll Never Catch On' by DPF, which to my surprise and delight seems to be getting quite a bit of shine in the UK blogosphere and media. DPF is one of the best (and underrated) emcees in England and I've been salivating over a full release ever since I heard 'Jelly Bellied Eels' and 'Dis Cuss Peace'.
I get a couple of e-mails a week from various artists and such asking for their material to be posted on my blog and I have a tried and tested method of actually listening to them and giving them a personal thumbs up before I go ahead and post them up. Mostly, I'm never impressed, but this last one really caught me.
One of the main reasons it caught me is because I have actually heard some material by them even before they sent me this, and what I heard I really liked. So when they sent me their new 'Wasted Talent EP' I jumped at the chance to post it up.
Prose are a UK duo from London & Leeds respectively, made up of beatmaker Steady Rock and emcee Efeks. They've been on the circuit for a while now putting in work and both of their original EPs 'Wasted Talent' and 'Running Man' sold out a long while ago. Luckily, to coincide with the release of their new mixtape of sorts 'The Boom Bap Project Vol. I', they've made their 'Wasted Talent' EP readily available for free download on their myspace pages.
The Boom Bap Project Vol. I is a culmination of their previous efforts, taking cuts from both EPs and running them alongside some new tracks to keep their audience happy, and all of it is mixed and blended by DMC Champ DJ Matman.
1. One People 2. No Concern 3. Originate 4. Wasted Talent 5. Wasted Talent (Instrumental)
Go to http://www.myspace.com/prosebbp or http://www.myspace.com/steadybbp to download this EP directly from them (same link anyway), and check out the other downloads they have on there. They have the instrumental version of it up for free D/L along with the 'Originate' single.
Blak Twang was riding a serious high in the early ‘00s after the huge commercial success of songs ‘Kik Off’ and more importantly ‘So Rotten’. The subsequent album ‘Kik Off’ did VERY well and signalled that Tony Rotten was destined to be THE star of UK hip-hop. While Roots Manuva’s commercial flirting was coming to an end, Blak Twang looked like he was going to take over the mantle as media darling for our country’s rap genre.
Fast forward a year or so to 2005, and Blak Twang released his follow-up to ‘Kik Off’, with critical acclaim. Singles such as ‘GCSE’ did fairly well, getting rotation on radio stations and its video was playing everyday on channels such as MTV Base. However, the album’s full success never really materialised, and despite the fact that almost every review I read about it gave it a huge thumbs up, it seemed like the album went over a lot of people’s heads.
‘The Rotten Club’ differed slightly to Twang’s older material, as it went back to the Dettwork SouthEast days in part with some gritty production and minimal guest spots from fellow UK rappers. Where ‘Kik Off’ had huge radio friendly singles like ‘Trixstar’ with Estelle (yes, the same Estelle that is now singing about American Boys with a certain arrogant homosexually-dressed man called Kanye), ‘The Rotten Club’ had more gritty dub-influenced tracks like ‘Beef Stop’. Of course, Blak Twang still had the odd girly song, ‘Lady’ being the slow-grinder on the record.
On the whole, I think this album didn’t get the recognition it deserved. Blak Twang always comes correc lyrically, but he stepped his game up from punch line rapper to serious lyricist here in my opinion, with tracks like the aforementioned ‘GCSE’ and ‘Travellin’ being particular highlights.
This, coupled with the fact that the last two tracks are produced by Harry Love (a legend in my book) means that I not only recommend this album for repeated listening, but I present it to you now. And Tony, release some goddamn new material, mate!
1. Rotten Club 2. Position 3. Beef Stop 4. GCSE (featuring K9) 5. Lady 6. Travellin’ (featuring Barrington Levy) 7. Stop & Search (featuring Alborosie) 8. Roadworks 9. Soldier 10. Prayer For The Dying 11. My World 12. Look Good (featuring Microw) 13. Where Lions Roam (featuring K9) 14. Carry On 15. Done It Again (featuring Hilz St. Soul)
Our artist in focus today is possibly the most recognisable and well-known British deejays in the hip-hop game. He has been on the scene for many many years and his penchant for silliness and comic effect coupled with an undeniable cutting and scratching ability has created him a small niche in the system.
He could be green, he could be a midget, hecould be a teacher, nay, master of what Darth Vader quite breathily called 'The Force', but one thing he most certainly is, is a great artist. Its DJ Yoda.
For the uninitiated, his music is a mixture of silly hip-hop/pop cultures mash ups, manic scratching and straight up hip-hop guest songs. Each of these three CDs carries on the tradition of him cutting up TV and Film themes, and the first two have many superb songs from classic artists such as Quasimoto and The Pharcyde. The third, 'How To Cut & Paste The 80s', is simply the silly side of him, and finds him putting breakbeats behind some famous 80s pop songs and such. If you aren't entirely into the stupidity of it all its irrelevant anyway because exclusive cuts from artists such as Yaggfu Front and The Beatnuts will always keep your attention, but if not, you'll be very pleased with the amount of slapstick scratching we have here.
DJs such as Paul Nice or neil Armstrong have tried to do similar things in the States but I really think Yoda has this type of mix down pat. So enjoy.
Also, If anyone has any of his 'Unthugged' series with radio deejay Dan Greenpeace I would be very grateful.
1. Intro 2. Willus Drummond - It's A Stickup 3. Irritating Dove f/Cymande & Bob James 4. Ugly Duckling - Eye On The Gold Chain (92 Remix) 5. Stupid Poo f/Treacherous Three & Kool Moe Dee 6. DJ Plus One-Scratch Skit I 7. Mexican Policemen At The Alien Mardi Gras f/Bob James 8. Yoda Meets The Thunderbirds 9. Yaggfu Front - Roll With The Yaggfu 10. Dune Storms f/Bob James 11. DJ Benny G (Mixologists)-Scratch Skit II 12. Delta Ebonics 13. Pete Rock f/Rock Marciano & Trife - Give It To Y'all 14. Perverted Disturbances f/Cymande, Rimshots & Bob James 15. MC Paul Barman Salvation Barmy 16. DJ A-Trak-Scratch Skit III 17. Sesame Sex f/The Street Kids 18. The Nextmen f/Kerosene - Global Warming 19. The Jiving Question Remains f/Bob James 20. Nigo f/Biz Markie - Something For The People 21. Sugarhill Gang - Radio Commercial 22. DJ Spinbad-Scratch Skit IV 23. Dizzy Plays The Sax f/Dizzy Gillespie, Parliament & Cymande 24. Balti Taxi f/Bob James 25. Quasimoto - Astronaut 26. Yoda Meets Dr Who 27. On The Reggae-lar f/Dennis Alcapone, Desmond Decker, Harry J Allstars, Sly & The Revolutionaries, Roots Radics Band 28. King Tee And Phil The Agony - Back Up 29. Golf, Food & Scratching f/Fat Back Band, Mother Freedom Band & Cymande 30. Edan - Mic Manipulator 31. French Collection f/Bob James 32. Car Trouble f/William De Vaughan & Fat Back Band 33. Parliament - Automobile 34. DJ Yoda-Scratch Skit V 35. Outro
1. Intro 2. DJ Format - I'll Culinary Behaviour 3. Creatures, Breakin', and Names 4. Mr Complex featuring Biz Markie - Glue 5. Cucumbers, Needles, Sandwiches & Jazz 6. Quasimoto - Lonely Piano 7. Yoda Meets The A-Team 8. Scratching & Keyboard Techniques 9. People Under The Stairs - Quid Control 10. Mysterious Plot 11. Billie Holiday Turntablised 12. The Beatnuts - We Got the Funk 13. On the Reggae-Lar Part 2 14. Black Moon - I Gotcha Opin 15. The Pharcyde - Drop 16. A Tribe Called Quest & Busta Rhymes - One Two S**t 17. The Alkaholiks - Only When I'm Drunk 18. Anything 19. Wu Tang Clan - C.R.E.A.M. 20. Tony Mozzarelli Wants 80s Pop 21. Rhubarb Tart 22. George Formby Turntablised 23. Outro
1. Intro / Grandmaster Flash & The Furious Five feat. Melle Mel & Duke Bootee - The Message 2. Johnny Hates Jazz - Turn Back the Clock 3. Nice & Smooth - Hip Hop Junkies 4. Climie Fisher - Rise To The Occasion 5. Yoda with Hill Street Blues 6. Paul Hardcastle - 19 7. Grandmaster Flash & Melle Mel - White Lines (Don't Do It) 8. Thompson Twins - Doctor! Doctor! 9. Melle Mel & Duke Bottee - Message II (Survival) 10. Yoda in Dallas 11. Yoda in Dynasty 12. S Express - Theme 13. Betty Boo - Doin' the Do 14. Europe - Final Countdown 15. Herbie Hancock - Rockit 16. Lisa Lisa & Cult Jam - I Wonder If I Take You Home 17. Midnight Star - Operator 18. Rick Astley - Together Forever 19. Yoda Plays Computer Games 20. Terence Trent D'Arby - Sign Your Name 21. Tom Browne - Funkin' For Jamaica 22. Kurtis Blow - The Breaks 23. Blondie - Rapture 24. Grandmaster Flash - Adventures on the Wheels of Steel 25. Yoda In Airwolf 26. ABC - When Smokey Sings 27. Aztec Camera - Somewhere In My Heart 28. Prefab Sprout - The King Of Rock N Roll 29. Toni Basil - Mickey 30. Nena - 99 Luftballons 31. Salt N Pepa - My Mic Sounds Nice 32. UB40 - Rat In Mi Kitchen 33. Slick Rick - Hey Young World / Miami Vice (Crockett's Theme) 34. Culture Club - Karma Chameleon 35. Hall & Oates - Maneater 36. The Primitives - Crash 37. A-Ha - Take on Me 38. Aspects present... Cameo - Word Up (It's My Genre II) 39. Yoda in Knight Rider
Jean Claude Van Damme and Dolph Lundgren often sat around during the making of yet another one of their scintillating action showpieces with their Belgian and Scandinavian hip-hop blasting out between takes.
One day, it took over them with immense force. Dolph stood up, chest puffed out and greased up like a channel swimmer. The Ivan Drago look-a-like took in a deep breath and let out some tasty beat-boxing that Rahzel or Biz Markie would be proud of, and the likes of which Van Damme had never heard before. It was so inspiring to him in fact, that the Muscles from Brussels could not help but lay down some funky lyrics to Lundgren's beats.
The incredible sounds they made that day in the 90s, however, were nothing compared to those made by the Uk's Universal Soldiers.
Rappers Ricochet & Ultra along with Producer A.H.Fly haven't been big on the scene for a while, but in the early 00s they made quite a buzz with their 'Street Veterans' mix CDs. Off the back of those a full-length album followed called 'Slanguage', and today my firends, this is my prezzie to you.
The album is a well-rounded piece with one producer manning the boards throughout and guestspots kept to a minimum (only Sundragon & Dia-Blo appear). This enhances the desired effect and sound rather than takes away from it.
Its tough to pick what aspect of the group is better, as the frighteningly rough and imposing rhyme styles compliment Fly's dusty beats, which can only be described as a much grittier and dirtier version of the type of sound messrs Lewis Parker or Jehst usually plum for. This, incidentally, is a type of sound I have always loved and in a way, if someone asked me to describe the most representative sound of UK underground rap, I think this Universal Soldiers LP demonstrates my personal idea of it quite nicely.
1. Renegades 2. Crime Stories 3. Prohibition 4. P.O.W. (Prisoners On Wax) 5. Soldier Skit 6. My World 7. Metaphysics (featuring Sundragon AKA 'Tom Hagen') 8. SLanguage 9. Life's Like A Movie 10. Soldier 4 Life 11. Heavyweight Product 12. 6 Feet Deep 13. Undiluted 14. Minefields 15. Snakes And Ladders 16. Outro (Life's Like A Movie Reprise) 17. The Great Escape (featuring Dia-Blo) (New Age Rework)
Another update coming before the weekend. I'm trying to get the ball rolling quickly so the site doesn't slow down to a stop again.
You get to a certain point in your life when you need to find a career, you need to find your path, you need to find your calling. And you just stall. I've currently been at that stage for what seems like an eternity, and it won't be ending any time soon. I've been getting more and more sparing with my time dedicated to this site, and this is something that puzzles me, considering the fact that I am literally doing bot all with my life at this present time. So the next few weeks I will try to put that right.
This post is basically an update of what makes a rubbish blogger tick, and another excuse as to why I haven't quenched your undeniable thirst for music.
News on the UK music front: Braintax has graced us with what has been billed (may I say, in a very subtle way) as his last album. 'My Last & Best Album' is out in stores right now, and this is a message simply to endorse an artist that has constantly been one of the leading lights in the UK hip-hop scene since he came onto the scene in the early 90s.
Unfortunately, by route of the great Leeds Hip Hop Scene website (scan the side links and you'll find it) I've found it that the album may not live up to its billing. To be fair, I'm not THAT surprised because his last album 'Panorama' was a bit overhyped and overrated for my liking, and he's not done much since that to change things in terms of recent form. However, he's produced countless classics for many other artists and himself, and 'Biro Funk' is a personal favourite of mine. So, I hope when I do inevitably shell out more cash on the legend that is Braintax, that the album is a good one.
To celebrate the release of this new album, here is one of his first ever releases, 'FatHead', which came out in 1992 on EP and features a canny few nice cuts on it.
Here's a request from a man, can't remember which one, but it was, indeed, a man. And he has in turn requested a man, namely, PITMAN. You've got many classics like the 'Twat Farm', the Pete Waterman influenced 'Pitman & Her', and I've chucked in 'It Takes Tea' and 'Pitman Sez' as Brucey Bonuses. Don't call him a hunchback...he's been digging for years...
